Assumed to be a record of the 1990s democratization movement, but the work actually began with the discovery of severely flood-damaged film. Although the work started out as a documentation of the film’s restoration process, the end product is anything but a simple record. Mixed in amongst the portrayal of the restoration process are interviews with photographers part of the so-called ‘democracy generation’; archive footage of conflict scenes in the 2000s overtemporary working conditions and struggles over migrant workers; scenic shots, either devoid of people or where the individual’s identity is not revealed; videos taken beside statues with unseen faces.
(Source: koreanfilm.co.uk)